photography


This is a long time coming, but I finally got copies of the student work that came of Sonke’s PhotoVoice project, which I conducted along with Honor Genetski, Nyanda Khanyile, and Patrick Godana, with support from teachers, principals and parents in the schools where we worked.

PhotoVoice students learned basic photography concepts, including technical skills, project planning, and how to document their work through keeping a photo journal. They also improved their writing and editing skills, and put all of this to work in the context of Sonke’s One Man Can campaign, which encourages everyone in the community to take part in the movement for gender equality.

We chose a selection of some of the best student writing and photography, as well as themes that recurred throughout many students’ work, to present in the form of banners at exhibits in Mpathesitha High School in Nkandla, KZN, and the grade school at Mhlontlo, Eastern Cape.

Student work:

PhotoVoice Nkandla

PhotoVoice Mhlontlo

As part of the exhibits, school desks and chairs were placed next to the photographs all around the courtyard, and adults and children alike were encouraged to sit in the place of the photographers and write reflections in Zulu (KZN), Xhosa (EC) or English about student photographers’ observations. They were also given post cards of the students’ images, pre-addressed to the mayor, on which to write their thoughts and suggestions. Although I was unable to attend the Mhlontlo opening, the exhibit in Nkandla was nothing short of joyful. The whole school came together to celebrate the student work and prepare for the hundreds of visitors who came. A group of boys (neckties thrown over their shoulders) slaughtered a cow, and school mothers and teachers spent hours grating and chopping veggies for all. The shrubs were watered so thoroughly I feared they might drown. There were speeches upon speeches (the mayor, the beloved school principal, tribal elders, student leaders, Sonke…the list goes on). The gospel choir, crowned in the buttery rays of light that make Nkandla unique, performed several songs, and the school’s traditional Zulu dancers had the crowd in stitches with their not-very-gender-equitable sexual innuendo. Swarms of birds (probably smelling the shisa nyama, though Nyanda also credited the good graces of the ancestors) circled above. A strong wind whipped up everything and reminded us how small we were, even on this momentous day.

Students gather for announcements on the morning of the exhibit.

Students gather for announcements on the morning of the exhibit.

For more pictures of the day’s events, click here.

Simphiwe

Kelly

Last Saturday, a colleague from Amazwi and I were invited to the graduation ceremony for a Sotho initiation school. During initiation school, children are separated from their parents for 3 months in order to learn skills they will need as adults of their tribe. Although the schools themselves are very controversial and some parents refuse to send their kids, on graduation day, the whole village celebrates the return of the initiates.

The mood was buoyant, and everyone wanted portraits in their graduation attire. I obliged, but I shared my camera with Simphiwe, the 8 year-old daughter an Amazwi staff member. Although her English is very limited, we communicated through gentle tugs and pushes. I nudged her to get closer to her subjects, and then saw that she was getting so close that I had to set the lens to macro. She would walk directly up to a girl her age without saying anything and compose her shot with the camera six inches from her model’s nose while the other girl stood there calmly. Although I photographed, too, and the initiates’ proud poses and fantastic costumes were stunning, what was most enjoyable was watching Simphiwe photograph her peers: two girls gazing serenely at each other, completely linked for the split second before the shutter snapped. Here you can see both my images and hers: mine, images taken by a conspicuous outsider; hers, photos taken by a girl who, were it not for the camera, could have passed completely unnoticed.

If you would like to donate an old (but functional) digital camera to Simphiwe or to SOMA, please leave a comment with your e-mail address. Donations to SOMA are tax-deductible, and I will happily provide you with a receipt.

Link to Photos:
http://www.kodakgallery.com/I.jsp?c=nqgcrwt.7p5gpkah&x=1&y=6f9id2

Simphiwe 1